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Showing posts with label witches. Show all posts
Showing posts with label witches. Show all posts

Wednesday, April 11, 2012

Interviewing author Camilla Chafer about her book Illicit Magic

The legends about witches and witchcraft always intrigue me, so it's a real treat to be able to talk with Camilla Chafer about her new urban fantasy, Illicit Magic. CONTEST ALERT! See bottom of post for how to win a copy of her book.

In your book Illicit Magic, why, after three hundred years, have witch hunts begun again?

Many people know the history of the Salem witch hunts of 1692 – and the lesser known English Pendle witches of 1612 – and my original idea for the story was what if the witch hunts were real and what if witches and magic really existed. However, I wanted it to be a contemporary story, set in a world as we know it, hence those three hundred years of quiet and regrouping.

How can the witch council in New York protect your heroine, Stella, from attack by the Brotherhood in London? 

Witches have been largely driven out of England thanks to the Brotherhood’s attacks. The Council claim that Stella is the only witch they could save, and that it was necessary to take her to their home base in order to protect her. Whether or not they’re lying is something Stella has to find out.

Did the New York council place her in the safe house by the sea? Why were the other residents in the safe house there?

The Council’s home was attacked, meaning they needed to send Stella elsewhere. With a small safe house already in operation, it was decided that Stella would be sent there for her safety and protection and so she could learn her craft. The other residents are a disparate sort, novice witches who need training to control their burgeoning powers, their teachers, and the elderly housekeeper. Is everything what it seems? Perhaps not.

Stella is sent to the safe house to learn her craft. If she is only a novice, how is she a threat in the eyes of the witch hunters and also someone the powerful witch council is willing to protect?

That’s something Stella ponders too. Indeed, why does the Council want to protect her? And is her connection to the Brotherhood as simple as witch and hunters? You’ll have to read to find out!

Illicit Magic
By Camilla Chafer
Blurb:

More than three hundred years after the most terrifying witch hunts the world has ever known, it's happening again.

Racing from attack by the ruthless Brotherhood in London to the powerful witch council in New York, twenty-four-year-old novice witch Stella has to put her faith in strangers just to stay alive but she might not be any safer in their midst than from the danger she is running from.

Sent to an extraordinary safe house by the sea to learn her craft, Stella finds there is more than one dark secret in her new family: Étoile’s sister is spoken of in fear and sadness; Marc is supposed to be a powerful witch but is missing his magic; where does the owner of their safe house vanish to every day and why does Evan have the eyes of someone not quite human?

There is only one secret that someone will do anything to keep quiet, but whose secret is it and will Stella have to pay the price for silence?

Amazon UK Top 10 contemporary fantasy bestseller
Amazon US Top 45 fantasy bestseller
Amazon US Top 50 contemporary fantasy bestseller


Illicit Magic Excerpt 1 (from Chapter One)
NB: British English

Sharp, murmured voices passed me on the wind. I couldn’t make out what they were saying but there was the sound of confusion and dissent; then a barked order calmed them. I caught the sole word “silence” from a low voice as it hissed past me. The footsteps shuffled and stamped again but no one uttered a word. It was like they were all listening for me. I felt like a fox, terrified and cornered, knowing that the beagles were just behind me, waiting to catch my scent.
Above me I could just see the first quarter of the moon breaking in the sky, casting a dim glow over the city. My jacket was a dark padded cord, good for blending in with both the hedge and low light. My breath was catching like little puffs of cloud in the air so I pulled up my cheap, striped scarf and covered my mouth to keep the plumes from straying to where they could be seen.
Without moving the rest of my body, I strained my head towards my pursuers, the scarf tightening about my neck until I tugged it loose again. I tried to count how many footsteps I could hear as they shuffled, fanned out and regrouped.
With only my pounding heartbeat for company I waited for what seemed like eternity. I tried to count Mississippi’s to gauge the time but my mind stumbled over the count and I threw the thought away. I waited for seconds, minutes, hours for them to rush past me, or at least turn and stamp a different way, hoping miserably that they really hadn’t seen me dart into this street.
Finally I couldn’t hear a thing but the blood rushing in my ears. Had I made it up? Was I really paranoid enough to think someone would bother following me? Probably. Possibly. It wasn’t the first time I’d been extra cautious, but it was the first time since the news has been full of murder. I shivered and tried to shake away the icy fear.
Edging my way across the privet, the leather of my long boots brushing against each other as I sidestepped, my toes scuffed against the scrub of garden. Fronds of hedge needled my back through my winter coat as I brushed by and fresh drops of dew slid uncomfortably past my scarf and inside my collar.
With my mouth set in a firm, grim line, clamped so tightly shut I was close to grinding my teeth, I poked my head forward, mere millimetres from the hedge but enough to see a gloved hand shoot towards me and grab my coat, the fingers clawing at my shoulder to snatch a handful of material and drag me into the open. A gasp escaped me. How had they gotten so close without me realising? Another hand, yellowed at the fingertips and reeking of tobacco, reached for my neck.
A gruff male voice snarled, “Gotcha!”
I shrieked and my whole body went rigid as I closed my eyes tightly. The air went thick and heavy around me, the cold momentarily disappeared and the blood in my veins surged as electricity crackled through my body. For the merest second all the low light and dull sounds of the city disappeared as the power rushing through me overwhelmed and took possession of me.
With the hand at my neck and the fear pumping alongside the electricity, I thought I would die in this moment, but when I opened my eyes again I was on the other side of the street, looking at my attacker grasping at the air where a second ago my neck had been. I saw his fist punch savagely through the air where my jaw should have been. If I had still been there, he would have smashed it for sure.
I felt dizzy and willed myself not to faint. The last of the shriek ebbed in my throat as I realised that I had barely focused on the task but had ended up exactly where I thought I should be when I’d glimpsed that section of empty street. Perhaps my strange gift (I never could decide what I should call it) only worked properly when I was terrified. Moving through space wasn’t something I had even been able to control before. And right now, I wasn’t afraid to admit that I was absolutely, gut-wrenchingly, terrified.
 
Illicit Magic Excerpt 2 (Chapter 5 – 672 words)
NB: British English

The man filling the doorway was at least six foot two with broad shoulders that tapered to a neat waist and long, jeaned legs. Toned arms extended from under a grey t-shirt and his hands didn’t look like strangers to work. As my eyes travelled up from his chest, I noted a tanned, square jaw that hadn’t seen a razor in a day or two, a slim nose and brown eyes so dark I could barely distinguish iris from pupil. His hair was cut short and so dark it could almost have been black. He wasn’t beautiful in the traditional sense but he was captivating, the type of man people automatically turn their heads to have another look at. I couldn’t drag my eyes away and my heart did a little flip.
A fleeting image of being wrapped up in his arms, his lips crushing mine, overtook my mind. He caught my eye and held my gaze. I was glad he couldn’t see inside my mind, but I blushed furiously. His face looked thunderous. And now, come to think of it, Marc didn’t exactly look happy either.
“This is her?” he asked no one in particular, his eyes still fixed on me, his expression fading from thunder to completely impassive.
“Stella,” I spluttered, my cheeks still red as the image in my head seemed to topple over and send us sprawling, limbs entwined. Was I supposed to shake his hand now? Good God. “Hi.”
Étoile looked from me to Evan and coughed lightly, her hand covering a smile and I just had enough time to wonder what she had seen before she said, “Evan will be teaching you.”
“I will not,’ announced Evan, his mouth set in a firm line. “She leaks. Find someone else.”
“David could teach her,” snapped Marc, scowling at Evan. The muscles in his arm had tensed though he was still sitting and I could see the veins bulge. What was with him?
“David is teaching Christy, Clara and Jared,” said Aunt Meg placidly. “Evan will be teaching her. That’s why he’s here.”
The ensuing silence was deafening. Marc scowled at Evan, Evan looked spitefully at me and I gripped my glass as if it were a life rope in a storm. Étoile finished up her second scone and looked around gleefully as if we were the height of entertainment. Meanwhile, my mind was getting increasingly lurid and I could hardly look Evan in the eye for fear that he would know that I’d just had a very exciting mental picture of us doing something that really should not have popped into my head while I was having a scone with civilised company.
“If you don’t want to teach me, fine,” I gasped, daring to look at Evan from under my lashes. Marc had leant back in his seat, arms crossed; Meg and Étoile were still looking at the man expectantly. Étoile coughed, but not before I heard her snicker again.
His jaw shifted and he breathed out. “I’ll teach you,” he said at last, making it sound like the least pleasant chore he could be assigned.
“Okay.”
“Fine.” Evan stepped back out of the doorway and strode back the way he came.
“Whew!” said Étoile. “That was weird. Like he was ever not going to teach you.”
“He’s an ass,” muttered Marc, swallowing the last of his iced tea and banging the glass back down on the table. “I’m sorry you’re stuck with him.”
“Evan Hunter is a very good teacher,” Aunt Meg chided as she gathered up the plates and swatted Étoile’s hand from the cake stand with a napkin before she could reach for another scone. I noticed Aunt Meg hadn’t eaten or drunk anything and hoped she didn’t think I was greedy for gobbling mine as fast as I could.
“What did he mean – I leaked?” I asked, thinking that sounded, well, gross.
“Your magic,” said Étoile. “He can feel it. So can I. You aren’t containing it, so it leaks. Not your fault.”

Author bio:

Hi, I'm Camilla and I'm the author of the Stella Mayweather Series, an urban fantasy/mystery. The series starts with Illicit Magic and a lonely young woman, Stella, who has been caught up in a terrifying witch hunt and is whisked thousands of miles away to what she thinks is safety to learn her craft. The series is a blend of magic, mystery and romance with a splash of humour - and while the girls really do go all out to save themselves, there's always a hunky guy or two on hand to help them out. The series continues with Unruly Magic and Devious Magic, both out now.

I live in London, England, but I try to travel as often as I can – I’ve been all over the US and Europe. In my day job I'm a journalist and editor so I write for magazines, newspapers and websites throughout the world (my favourite assignment was spending a week riding rollercoasters - if you listen carefully you can probably still hear me screaming) but writing fiction has always been my first love.

Web links:

Twitter: @camillawrites 

CONTEST: One random commenter will be chosen to win a digital copy of Illicit Magic. Contest ends on the witchy day of Friday the 13th midnight EST.

~ ~ ~
Marsha A. Moore is a writer of fantasy romance. The magic of art and nature spark life into her writing. The first of her epic fantasy romance series, ENCHANTED BOOKSTORE LEGENDS, is now available--SEEKING A SCRIBE. She has also authored the Ciel's Legacy series, fantasy romance with fast action mermaid/pirate storylines: TEARS ON A TRANQUIL LAKE and TORTUGA TREASURE.  For a FREE ebook download, read her historic fantasy, LE CIRQUE DE MAGIE, available at Amazon and Smashwords.

Thursday, October 27, 2011

The Secret Circle—A Plethora of Witches and Demons

The first six episodes of this new show have been filled with an intriguing array of witchcraft and action. It is based upon the fictional novel series of the same name, created by L. J. Smith.


Set in a quaint, misty Pacific Northwest coastal town, this show is about a group of students involved with everyday high school life. Okay, that sounds like Twilight, but the comparison stops there. In the opening, five young witches, two males and three females, stumble together, learning their craft as they use a family book of spells belonging to one of the girls. 

Find out how this discovery leads to both wonders and dangers...in the rest of my review posted at The Speculative Salon.

The Secret Circle, on the CW channel at 9 PM, will present its extra scary Halloween episode tonight—Masked.


~ ~ ~
Marsha A. Moore is a writer of fantasy romance. The magic of art and nature spark life into her writing. She is the author of the novel, TEARS ON A TRANQUIL LAKE, the first in a trilogy. Part two, TORTUGA TREASURE is contracted for release in January, 2012. Look for her first of an epic fantasy romance series, SEEKING A SCRIBE: ENCHANTED BOOKSTORE LEGENDS ONE, to be available early 2012.

Wednesday, March 30, 2011

Harry Potter Blogfest: Trouble I Get into with My Mates at Hogwarts

Hermione Granger, Ginny Weasley, and I ran out of the Gryffindor dorm. The fat lady yelled after us for running in the hall, tipping off Nearly Headless Nick. He delighted in swooping through us, delaying our path. Poor Ginny had to jump off the staircase when it began to move away. Brave girl, she didn’t let out a peep.

In the library, Hermione and I went straight to work, pulling a dozen dusty reference books from shelves. Our plan—outsmart the master of potions, Professor Severus Snape, at his own game. We flipped through volumes, cheering each other on as we found bits of archaic information to concoct the exact potion. Being exemplary students, it was a challenge we relished, to know more than the professor…or at least this professor.

Ginny tried to stay awake, but after a couple hours, she dozed on the library table. Her role was not research, but theft and diversion. Tomorrow, she’d distract Snape while we slipped into his storeroom to secure correct ingredients. 

“Found it!” Hermione let out a hushed cry.

I rushed around the table, peering over the faded page. “That’s it! Thanks to Ginny, we have hair from both. She’s a great thief, pulling strands off their robes last week.”

Ginny’s eyes flashed open and she smiled.

“I think we need to alter one step though.” I pointed to another book. “…to speed the effects, so we can see results happening in class. Wouldn’t be fun otherwise. Add a dried newt, just as the mixture boils, to partially volatilize.” 

“Perfect! That way it will vaporize faster.” 

“I’ll sneak a bottle of the potion into class, under my robes, and when we’re preparing our cauldrons, add the contents and quickly start our fire.”

“And the rising vapors will cause Snape to see no one except Malfoy.”

“What’s so odd about that?” Ginny murmured from under her hair. 

“He’ll be furious with Malfoy, tearing him apart for the smallest errors,” Hermione explained. “We’ll all get a good laugh…or get in lots of trouble.”

After one look between us, we got busy, eagerly taking notes.
*************************************************

Tuesday, January 4, 2011

Sea Glass and Sand Memories now has a cover!

Sea Glass and Sand Memories, my June 1st paranormal erotic romance short story release from MuseItHot publishing now has a cover! Credit goes to artist Delilah Stephans for her work. I especially like how the text she created resembles sea glass. The setting, in the dunes area of Lake Michigan is a favorite spot of mine, having many childhood summer vacation memories. I'm glad this story is being published, as a tribute to those wonderful memories.

Blurb:
Looking forward to a relaxing week at a Lake Michigan coastal resort, Kate finds much more than the picturesque dunes she intended to paint.

Adventures start when her requested room is switched beside an unusual couple – a witch and her lover, a ghost.

During her stay, the handsome ghost, Anson, tries to ensnare her into helping him escape the witch who killed him and then enslaved his spirit. The witch holds him captive on the property of his mother’s resort. Anson wins Kate’s heart and loyalty; she goes to great lengths to free him.

Warning: This story contains paranormal sex, pagan abuse of a ghost spirit, nightmares, and happy family memories.

Monday, December 13, 2010

The Magic of Christmas Bells


 Tis the season for bells: solstice bells; jingle bells; sleigh bells.

Bells have long been thought to posses special magical abilities in their sound vibrations, which symbolize creative power. The curved and rounded shape of a bell is a symbol of the female force and the celestial vault.

Bells have often been used in religious rites. Practitioners of Wicca use small hand bells to enhance harmony and augment power. In African and Caribbean vodun, dancers use bells to call upon their loa, spirits who connect to the gods. Shamans have favored bells to drive away evil spirits. Since the 5th c., Christian church bells have warded off evil and wicked spirits customarily lurking on church thresholds.

At a person’s death, church bells were tolled to help the departing soul on its way to heaven and prevent evil agents from impeding that journey. Shopkeepers began hanging bells on their thresholds, not to announce the entries of customers, but to keep evil spirits from entering their premises.

Although bells typically repel witches and demons, they have also been used to summon the dead. A well-known example of this is with the Giradius Bell in 18th c. France. Cast of a specific alloy at the exact hour on the day and hour of the birth of its intended user, it was inscribed with astrological symbols and magical words. To be properly “cured” or imbued with magical connection to the dead, it was wrapped in green taffeta and left on a grave for seven days to absorb vibrations and emanations.


Enjoy the magical music of the season!

Art References: Yellowcaseartist (top); Cryingdragon21 (bottom)
Reference: The Encyclopedia of Witches, Witchcraft & Wicca; Rosemary Ellen Guiley; 2008.

Monday, October 25, 2010

Can witches really fly on brooms?

Our question for this Magical Monday. 

According to folklore, the Devil himself installed every new witch a broom and flying ointment, a concoction often including hallucinogenic and/or toxic ingredients. If the witch was inside a house, she supposedly flew up the chimney.

Legend tells witches flew their brooms to Sabbats, seasonal celebrations which included the great festivals of Walpurgis Night/Beltane (May 1st) and Samhain (October 31st). They often carried along demons or their familiars in the shapes of animals. They often flew from the Sabbat celebration to the nearby sea for a storm raising, using their collective magic to bring a tempest.

On these occasions, novice witches were sometimes seen falling from their brooms. On festival nights townspeople often laid out hooks and scythes to kill those who fell off. People rang church bells which were capable of grounding brooms.

Artwork of the 16th and 17th centuries showed a variety of “riding” techniques. The position of the twigs changed over time. Initially, the twig faggot was held down, so the witch could fly upward into the sky, sweeping away her trail. This is the typical portrayal in contemporary art. However, in the 17th century, artists represented witches’ flights with the faggot upward, so a candle could be balanced upon it to light the way.

There are many origins for the association of witches and brooms. Following pagan fertility rites, witches rode brooms, poles, and pitchforks like hobby horses in field dances. Other lore stated witches were afraid of horses and chose brooms instead. The custom of putting a broom outside a house to indicate a woman was away may have given rise to this legend. 

If you see a novice witch fall off her broom this Samhain, will you help her back astride? 

Reference: The Encyclopedia of Witchcraft & Wicca, Rosemary Ellen Guiley
Art: IrreFou (top)

Monday, October 18, 2010

Magical practices for your All Hallow’s Eve

Listen! The wind is rising,
And the air is wild with leaves,
We have had our summer evenings,
Now for October eves!
~ Humbert Wolfe (1885-1940)

Samhain, or Halloween, is the day we honor our dead. On this day the veils between the worlds of dead and living are sheerest; those who died in the past year and those who are to be reincarnated pass through. The doors of the sidhe-mounds are open, and neither human nor faery need any magical passwords to come and go. Our deceased ancestors are more accessible during the time of the dying of the land, the final harvest of the northern growing season. It is a day to commune with the dead and a celebration of the eternal cycle of reincarnation.

On Samhain, the sun is at its lowest point on the horizon as measured by the ancient standing stones of Britain and Ireland, the reason the Celts chose this sabbat rather than the first of January as their new year. To the ancient Celts, this holiday divided the year into two seasons, Winter and Summer. The Celtic New Year is a time for both beginnings and endings. 

Practices to call upon the magic of the holiday:
  • Bury an apple or pomegranate in the garden as food for spirits passing by on their way to being reborn.
  • Place offerings of milk and barley outside under the stars to ease restless ghosts’ hunger, prevent their mischief, and to accrue their blessings.
  • Drink apple cider spiced with cinnamon to honor the dead.
  • Have a mute supper.
  • Make a mask of your shadow self.
  • Let this be the traditional time that you make candles for the coming year, infusing them with color, power, herbs, and scent depending on the magical purpose.
  • Wear costumes that reflect what we hope or wish for in the upcoming year.
  • If you (or your story characters) aspire to be a witch give gifts of acorns to other witches. Fruits of the oak, one of the most sacred trees to the ancient Celts, they are symbols of protection, fertility, growth, values, and friendship. 
  • Carve a jack-o-lantern. Place a spirit candle in it.
  • Do divinations for the next year using tarot, a crystal ball, flame, pendulum, magick mirror, black bowl, runes, Ouija boards, or a black cauldron filled with black ink or water.


A few more complex Samhain rituals:

Ritual for the Dead

1.      In a sacred space or ground, use a candle to burn white sage to appease the spirits of Summer.
2.      Carve the initials of your lost loved one(s) in a black candle.
3.      Add favorite elements of that loved one to your altar, such as flowers, wine, favorite foods, etc. 
4.      Read each name (from Remembrance list).
5.      Gather a cauldron or other fire proof vessel and burn a dried candlewick leaf (mullein)
or bay leaf for each name of honor.
6.      A dried rosemary bundle is burned last to remember them all.
7.      You may then save all the ashes, hardened candle drippings, left over herbs, and add them to a black cloth or bag. This is an amulet and can be worn or saved to honor those remembered.
Note: Do NOT let your Samhain candle burn out, as it is considered bad luck on Samhain, let it burn at least till morning light.
            ~ adapted from Barbara Morris

Simple Samhain Magic Spell
This Fall Magic Spell clears out unwanted influences and focuses spiritual attention on what is good in life. This celebrates the change from one season to the next, summer to winter.
 
1.    Decorate an altar with a clean cloth, candles of orange and/or white, and autumn fruits.
2.    Set a chalice filled with wine or cider, along with a small bowl of sea salt, on the altar. Take two sheets of paper and a pen.
3.    Light the candles, and, if desired, burn incense such as myrrh or patchouli.
4.    Write out a few undesirable aspects and influences of life from the previous few months on a single sheet of paper.
5.    On another sheet of paper write out the key new elements of life that would be welcome. Write these as positive statements, in the present tense.
6.    Using words which feel natural and appropriate, express the sincere desire to be rid of the undesirable elements of life, speaking each one individually. Visualize clearly being free of them.
7.    Scrunch the undesirable list into a tight ball. If it is possible to burn it safely then do so. Otherwise simply discard the ball into a waste bin without burning.
8.    Drink of the chalice to celebrate being free of these shackles!
9.    Pause in reflection for a few minutes, visualizing the positive elements to be welcomed.
10.    Again using natural and sincere language, express the reality of the list of positive elements.
11.    Scatter a little sea salt over the list, and fold the paper so as to capture the salt in an envelope-like packet.
12.    Put the packet into clothing close to the skin, extinguish the candles and incense, and set off to celebrate the evening!


Samhain Mirror Incantation

Recite this incantation before scrying into your black mirror on All Hallow’s eve...
"Mirror of shadow, reveal what I seek.
Powers of old, secrets so deep.
East then South, West and North.
Watch tower guards, I call you forth.
Traveling sphere, no harm to fear.
Circle protects, here and there.
Stars beyond, from Pluto's realm,
Scorpio rules God's golden sun.
By the power of three times three,
Lord and Lady, so mote it be." 
 ~ Barbara Morris

Fire Scrying

As the power of the Sun fades, we embrace the harvest season and the decline of the fire element. This is a perfect time, as we approach the introspective tide of winter, to scry with flame. On a night close to the New Moon, cast a circle of protection, and light a purple candle. Sit silently and breathe deeply, allowing your conscious mind to grow quiet. Gaze at the candle flame and permit your thoughts to drift by without judgment. Soften your focus and relax your vision. Concentrate only on the flame. Ask a question. Observe the flame expectantly, and open your observations to your intuition. Invite the flame to impart images. Write down your insights, and carefully date your interpretation for future reference. Perfect to do on Samhain eve...
~ Karri Allrich

Communing with the dead, banishing troublesome ghosts, commemorating the beginning of a new year … or simply trick or treating … enjoy the magic of Samhain.

Art credit: witch painting by Myeclecticmind

Monday, October 11, 2010

Bobbing for apples on All Hallow's Eve

A Magical Monday useful Halloween tip: Peeling an apple in front of a candlelit mirror on Samhain will reveal an image of one’s future spouse.

Apples were a major part of the Celtic/Druid harvest festival of All Hallow’s Eve. The present day custom of bobbing for apples came from one of their festivities. Magical fermented cider was commonly used in pagan rites. In England, a particularly strong cider is often referred to as witches’ brew.

English lore, apples signify enchantment, tied to the Arthurian legends. When Arthur was seriously wounded, he was taken by three fairy queens to Avalon, also known as the “Isle of Apples,” or “Appleland.” Also, Lancelot, Arthur’s knight, fell asleep under an apple tree and was carried off by four fairy queens. Later, he saved Queen Guinevere, accused of being a witch and condemned to burn at the stake – she gave an apple to St. Patrick, who died.

The apple has long held spiritual significance. Many goddesses upheld the apple as the fruit which supplied eternal life: Greek goddess Hera; Scandinavian goddess Idun; Norse Hel, of the Underworld. American Iroquois Indians place the apple as their focal tree of heaven. And, in Christianity, Eve’s apple, accepted from the serpent, is the fruit of life, but also associated with sin.

In witchcraft, the apple is said to be a common vehicle for spells. In the folktale, Snow White, the lovely maiden was put to death by a poisoned apple given her by the black witch-queen. In Voodoo magic as well as English, Danish, and German folklore, the apple is a love charm.

In a real life account in Somerset, England in 1657, a young girl gave a twelve-year-old boy an apple which, according to neighbors, caused him to become bewitched, flying over his garden wall. The girl was charged with witchcraft, sentenced, and hanged.

English folklore says it’s bad luck to pick all the apples in a harvest – some must be left for the fairies.

So, on this Samhain, be sure to leave some for the fairies, but light a few candles and peel one in front of your mirror.


Reference: An Encyclopedia of Witches, Witchcraft & Wicca, Rosemary Ellen Guiley, 2008.
Art: Kim_Moo and Maskimxul

Monday, September 13, 2010

The demonic evil eye -- a reason for the creation of eye shadow?

It’s time for another magical Monday post. For this week I’ve chosen to discuss the demonic evil eye. This power is a look, which many believe is capable of causing injury or bad luck for the recipient of the dark magic.

Belief in this superstition dates in recorded history to the cuneiform texts of the Babylonians around 3,000 BC. Interestingly, the ancient Egyptians used eye shadow and lipstick to prevent the evil eye from entering their eyes and mouths. Was that the reason for the origin of these beauty practices?

In other cultures and records, the evil eye is present in Hindu folk beliefs, as well as being referenced in both the Old and New Bible Testaments. It remains a modern superstition in Italy, Central America, and Mexico, known as "Mal de ojo." It was on a cruise port day in Cozumel when I first saw the Nazars, evil eye prevention charms, hanging in markets. At the time, I had no idea of their uses/history. They looked like lovely folk art to me.

Apparently, the evil eye can be cast accidentally or deliberately. In the case of the latter, it is called “overlooking.” This form of witchcraft can cause illness; poverty; injury; loss of love; even death. Symptoms of the illness may include diarrhea and constant crying, usually affecting infants and children, however, adult females can also be affected.

The spell occurs when someone, usually a stranger, admires another’s children, livestock, or possessions, or merely casts a lingering look. Unless precautions are taken right away, the children fall ill, the animals die, possessions are stolen, good luck ends. If the evil eye cannot be stopped, an initiate (often an older village woman) must supply a secret cure.

To be capable of casting an evil eye, a person is usually a stranger with a different eye color than the locals. Or some individuals are born with an evil eye which lays waste to everything they behold.

How might you avoid the evil eye?

The primary defense is to carry an amulet of a frog, horn, fig, or red ribbon. The horn and fig represent a phallus, associated with the Roman phallic god Fascinus. In many Latin American countries, parents today commonly tie red ribbons around their children's wrists or ankles. Probably more socially acceptable than a frog, horn, or fig tied to a child.

The protective Nazar talismans are disks or balls, consisting of concentric blue and white circles (from inside to outside, dark blue, light blue, white, dark blue) symbolizing an evil eye. These are commonly used throughout the Middle East, often on Mediterranean boats and planes. The hamsa hand is a variation of this talisman. Folklore states the staring eyes are supposed to bend the malevolent gaze back to the sorcerer.

If you find yourself caught without an amulet or talisman and in need of protection, the hand gesture of a clenched fist with the thumb thrust between the index and middle fingers is said to work well. Another simple gesture which will protect you, is to make the sign of the cross with your hand and point the index finger and the little finger towards the supposed source of the spell or victim. This was described in the first chapter of Bram Stokers novel Dracula, published in 1897:

When we started, the crowd round the inn door, which had by this time swelled to a considerable size, all made the sign of the cross and pointed two fingers towards me. With some difficulty, I got a fellow passenger to tell me what they meant. He would not answer at first, but on learning that I was English, he explained that it was a charm or guard against the evil eye.

Beware the evil eye!



References: The Encyclopedia of Demons & Demonology, Rosemary Ellen Guiley; Wikipedia, Evil Eye

Monday, August 9, 2010

Magical creatures - the tiny but powerful imp

Today I will begin a regular Monday feature about magical creatures and events. I find myself amassing many interesting research finds while I seek background for my novels. I’d like to share some of these fascinating tidbits and hope you become spellbound as well!

One curious demon is the imp.

It is very tiny, usually kept within a bottle or ring, much like a genie/djinn, and called upon for magical purposes, good or evil.

An imp is a type of familiar, a spirit that maintains regular contact with a person, usually in some service capacity. Like other familiars, imps can take the shape of animals which the magician may direct to travel out and complete a task.

It is said witch hunters during the time of the Inquisition believed witches employed imps to carry out evil deeds. The witches rewarded their tiny charges by allowing them to suck blood from their fingers, warts, breasts, or any protuberance on the skin.

Another example includes the Lincoln imp in England, a carved stone demon on a column in the Angel Choir at the cathedral of that town. The cathedral was built in the 12th century, with the grinning imp seated in a cross-legged position. According to legend, one day the Devil let his young demons out to play. One rode the wind to the cathedral and wrecked so much havoc, one of the angels turned him to stone.

The Lincoln Imp at the Medieval Cathedral of Lincoln, England.

Also in British history, the Prince of Wales (to later become King Edward VII) received a gift of a tie pin decorated with an imp, which he wore. The imp was attributed with his good fortune during the next year, when his horses won major races, The Grand National and the Epsom Derby.

Tiny, but powerful!

Reference: The Encycolpedia of Demons & Demonology, Rosemary Ellen Guiley