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Showing posts with label soul. Show all posts
Showing posts with label soul. Show all posts

Monday, November 8, 2010

At the Bradenton Village of the Arts, celebrating the Day of the Dead

For this week's Magical Monday I'd like to tell about my Saturday visit to the Bradenton Village of the Arts during their annual Día de los Muertos (Day of the Dead) festival. Southern ways are still new to me and this holiday was something I’d heard of, but never really understood. I thought the event would be more like a Mexican/Spanish Halloween celebration. I was very wrong. Instead, it had its own entrancing magical communication with the dead. Nothing scary. A happy event.

Each gallery presented a lovely altar to honor deceased loved ones with their photos and small memorabilia of their lives. The shrines were decorated in bright colors, gold, yellow, orange. Chrysanthemums, marigolds, candles, smiling sugar skulls, skeletons dressed in party clothing added to the gaiety. These altar pictures were taken at the local celebration I attended.

The intent of the holiday is to encourage visits by the souls, so that the souls will hear prayers and comments of the living directed to them. Celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed. I saw many loving and humorous mementoes on the local shrines--very heartwarming.

Traditionally, Día de los Muertos is a holiday celebrated by people of Latin American and Latinos living in the US and Canada. The celebration occurs on November 2 in connection with the Catholic holidays of All Saints’ Day (November 1) and All Souls’ Day (November 2). The holiday can be traced back thousands of years to an Aztec festival dedicated to the goddess Mictecacihuatl. Then it was common to keep skulls as trophies and display them during the rituals to symbolize death and rebirth. In Spain, there are festivals and parades, and, at the end of the day, people gather at cemeteries and pray for their dead loved ones. In most regions of Mexico, November 1 honors the deaths of children and infants, Día de los Inocentes ("Day of the Innocents"), whereas deceased adults are honored on November 2.

Typically today, during the three-day celebration, families usually clean and decorate graves; most visit the cemeteries where their loved ones are buried and decorate their graves with offerings, especially Mexican marigolds. The flower is so important in modern Mexico, the name of the event is sometimes replaced with the term Flor de Muerto ("Flower of the Dead"). These flowers are thought to attract souls of the dead to the offerings. Traditionally, families spend some time around the altar, praying and telling anecdotes about the deceased. Celebrants often wear shells on their clothing, so that when they dance, the noise will wake up the dead.

Catrinas, one of the most popular figures of the Day of the Dead celebrations in Mexico

Toys are brought for dead children (los angelitos, or "the little angels"), and bottles of tequila or mezcal for adults. Families will also offer trinkets or the deceased's favorite candies on the grave. Offerings are also put in homes, usually with foods such as candied pumpkin, pan de muerto ("bread of the dead"), sugar skulls, and beverages. The offerings are left out in the homes as a welcoming gesture for the deceased. Some people believe the spirits of the dead eat the "spiritual essence" of the food. Pillows and blankets are left out so that the deceased can rest after their long journey. I saw some homes throughout the Village of the Arts with these offerings on tables on porches, to invite the spirits of loved ones home.

I was very touched by the celebration. Everywhere were fond remembrances of those who had passed away. There was definitely magic in the air.

Gran calavera eléctrica ("Grand electric skull") by José Guadalupe Posada

Thursday, February 25, 2010

Album Review: Jon Oliva's Pain release fantastic new album, “Festival”

As a rock/metal music reviewer, I write for the Tampa division of Examiner.com.  Here is a sample of one of my recent album reviews.


Image and video hosting by TinyPic“Festival” is a terrific new recording from Jon Oliva's Pain (JOP), released today, February 19th worldwide. This Clearwater, Florida band has set a date of April 24th to celebrate their new release and kick off their support tour, at the local Bourbon Street Club in New Port Richey. Tickets are available for purchase online at the Bourbon Street Club. 


“Festival” is ten tracks, packed with energy, texture, fine songwriting and stellar musicianship. Jon's vocals remain as evil as ever. Guitars are focal, down-tuned in novel ways to create mysterious effects, evoking the dark madness of a twisted carnival atmosphere. Keyboards are used judiciously to enhance those effects.


The album opens with the track “Lies,” with a look back to the early days of Savatage when money was swindled from the band. It was written, in large part, years ago by Jon and his late brother, Criss. It alludes to the theme of a madman's festival, with the synthesizer giving touches of sick carnival sounds, offset by charging twin guitars and Jon's voice, full of devious energy. “The Evil Within” looms with dark rhythms of bass, down-tuned guitar, and thundering drumming. Jon's voice is given a wild echoing effect, riding over top of a terrific spaced-out synthesizer.


Tempo changes also provide rich variety. Crashing guitars are complemented by simple arrangements, as in the complex“Afterglow” where piano, dulcimer, and acoustic guitars accompany clean, honest vocals in its beginning. Soon, tension builds to pained vocals with thick orchestration. “Looking For Nothing” is a softer acoustic number, having layered harmonies reminiscent of the Beatles, Strawberry Fields era. Lyrically, “Winter Haven” takes a quiet look back upon a difficult journey and ahead with hope for the future. “Now” gives us tender piano and vocals, in a compelling and honest ballad about missing a loved one while on tour. As the piece grows, violins and weeping guitars sweetly accompany the unadorned vocals. So, while “Festival” follows a theme of madness, there is space for quiet introspection, a nice textural contrast.


The gems of the album include “Death Rides a Black Horse” and the title track. The composition of the former was inspired by the motto of the platoon of Jon's nephew, a soldier in Afghanistan. Masterful keyboards set an ominous tone across a pounding rhythm. Twin guitar solos twist and whine. The instrumentation is complex, using everything from snares to brass. The title song begins with crowd noises at a carnival. Jon is a divine madman, inviting them and us into his strange world of tortured souls, while the keys and guitars, darkly tuned to an open A-minor chord, whirl into a frenzy. The intrigue of his lunacy is tempting in this piece and the entire album – an exceptional recording.


Like this review? Follow my music reviews as the Tampa Metal Music Examiner on Examiner.com.